AD5803 - Second version 1st and 2nd prints (printing on warm tone fibre base paper)
After I looked at some prints made on warm tone fibre based paper, I decided that I really wanted to try to print on that kind of paper...
AD5803 - ILFORD paper types
BASE: RESIN COATED VS FIBRE BASE VS COTTON RAG The first choice to make for darkroom prints is which kind of paper we want to use. The...
AD5803 - Split grading
Practicing with darkroom printing, you realise very soon that often you cannot only decide between a high or low grade, but, in some...
AD5803 - Practitioner research: Alexey Titarenko
Alexey Titarenko has always been one of my favourite photographer and I really admire his black and white original aesthetic. His...
AD5803 - Eight Print
When I did the first test print of this picture, I noticed it was extremely blurred at the bottom. Initially I thought it was just out of...
AD5803 - Seventh Print
Unfortunately, I forgot to write the the technical printing details of this print, but looking at my printing notes, I have a clear...
AD5803 - Sixth print
Adjustments needed: - Cut the top (it looks like a film strip) - Dodge the horse and the hand - Burn the window Final print: Settings...
AD5803 - Fifth Print
Getting the final print of this images has nearly taken me a whole morning. I had to made many different tests before getting the desired...
AD5803 - Fourth Print
The fourth print has been very straightforward to produce, since it had the same lighting of the first print I made. However, I made two...
AD5803 - Third Print
The print from this scanned negative has required a little bit more effort since the left hand side of the images was quite overexposed...