

AD5803 - Final retouching
Today I went through all my prints looking for white dots to adjust with the brush. I have found a few and I took the brush with some...
AD5803 - Final Evaluation
Now that I came to the end of this module, I can really say that I absolutely enjoyed it and it made me incredibly grow in my photography...


AD5803 - Twelfth print
I was not really going to make this print, since I preferred a similar negative, but that one had a light leak and some blurring so I...


AD5803 - Unselected prints
Despite I really like this picture, unfortunately it was unusable as a final print. Looking at the negative I was already aware that...


AD5803 - Eleventh print
This print has been extremely straightforward to make, the negative was exposed perfectly and it didn't seem to need any particular...
AD5803 - Tips on How to make long-lasting archival prints
Over time all photographic papers will be subject to degradation, however it is obviously desirable to do the utmost to postpone the...


AD5803 - Toning
After I watched Alexey Titarenko's videos which shows him doing toning corrections in his prints, I got very interest about this...


AD5803 - Tenth Print
I really liked the contrast and the light strips in the bottom side of this shot and I thought it would have worked well printing wise....


AD5803 - Printing master Pablo Iniro
Pablo Inirio is the master darkroom printer at Magnum Photos in New York, he is in charge with the responsibility of making prints of...


AD5803 - Ninth Print
I was really excited about printing this shot since I really wanted to see how it turned the subjected surrounded by pitch black. I was...